LEONORA CARRINGTON ARRIVES AT MALBA AFTER BREAKING RECORDS
Malba announces the eagerly awaited arrival of Leonora Carrington's The Distractions of Dagoberto (1945), one of the most significant works by the celebrated surrealist artist, which was acquired in May by Eduardo F. Costantini at Sotheby's at a record price.

Eduardo F. Costantini's purchase of Leonora Carrington's work places the artist as one of the five most valuable works of art at auction, alongside Georgia O'Keeffe, Frida Kahlo, Louise Bourgeois and Joan Mitchell.
Painted by Carrington at the age of 28, at the height of her creative expression, The Distractions of Dagoberto offers a manifesto of the visual world that develops throughout her later production. This oil painting is one of the masterpieces of Leonora Carrington's long and illustrious career, and presents all of the artist's distinctive symbolism and iconography at its peak. Executed in Mexico in the 1940s, it is a pivotal painting of the surrealist movement. Citing iconography and ideas from sources ranging from medieval European history and contemporary scientific literature to Irish and Mexican myths, it presents a humanistic and inventive vision of a universe all its own.
It is on display at Tercer Ojo (Third Eye), the Malba exhibition that, from August 2022, brings together iconic works of Latin American art in a journey that puts the Malba Collection and that of its founder, Eduardo F. Costantini, in dialogue.
The Distractions of Dagoberto (1945) is presented in a section dedicated to surrealism. It is exhibited alongside three emblematic works by Remedios Varo: Armonía (Harmony) (1956), Simpatía (la rabia del gato) (Sympathy - the cat's rage) (1955), from the Eduardo F. Costantini Collection, and Icono (Icon) (1945), from the Malba Collection. Carrington's work and the three works by Varo are accompanied by photographs by Kati Horna from the series Ode to Necrophilia (1962), who was her friend and studio companion in the ritual practices of magic and occultism, hallmarks of her artistic production. This nucleus of surrealist women bears the name Transformar el rito (Transforming the Ritual).
Tercer Ojo, curated by María Amalia García, Malba's chief curator, occupies the newly nominated Ricardo Esteves Room on the museum's first level. Divided into two major conceptual nuclei: Inhabiting and Transforming, it has been modified during the two years it has been on display. It proposes the display of a collection in transformation that changes shape over time, illuminating the key moments of the region's art in dialogue with artistic and social themes, both historical and contemporary.
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The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
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Cronotopías at the Museo de Arte Moderno de Bogotá (MAMBO) is the first institutional retrospective in Colombia dedicated to the visionary work of Argentinean artist Silvia Rivas. Since the late 1990s, Rivas has explored the expressive possibilities of expanded cinema, pushing the boundaries of video as a medium and creating multimedia and immersive environments. The exhibition is curated by Eugenio Viola.
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Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
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Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
FELICIANO CENTURIÓN'S WARM HEART
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

The first half of the year concluded on a low note, and as the art market gets ready to gear up for the last semester, a clearer picture of the challenges faced is emerging.
THE START OF THE SEASON
The first half of the year concluded on a low note, and as the art market gets ready to gear up for the last semester, a clearer picture of the challenges faced is emerging.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
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The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.
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The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.
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The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

Cronotopías at the Museo de Arte Moderno de Bogotá (MAMBO) is the first institutional retrospective in Colombia dedicated to the visionary work of Argentinean artist Silvia Rivas. Since the late 1990s, Rivas has explored the expressive possibilities of expanded cinema, pushing the boundaries of video as a medium and creating multimedia and immersive environments. The exhibition is curated by Eugenio Viola.
SILVIA RIVAS AND THE LIMITS BETWEEN TIME AND SPACE
Cronotopías at the Museo de Arte Moderno de Bogotá (MAMBO) is the first institutional retrospective in Colombia dedicated to the visionary work of Argentinean artist Silvia Rivas. Since the late 1990s, Rivas has explored the expressive possibilities of expanded cinema, pushing the boundaries of video as a medium and creating multimedia and immersive environments. The exhibition is curated by Eugenio Viola.

Pilar Elgueta (Chile) is the selected artist for the Delfina Foundation’s Residency Program during Summer 2024. The artist-explorer activates ideas and images around the relation between the human being and landscape.
PILAR ELGUETA AT THE DELFINA FOUNDATION’S RESIDENCY PROGRAM
Pilar Elgueta (Chile) is the selected artist for the Delfina Foundation’s Residency Program during Summer 2024. The artist-explorer activates ideas and images around the relation between the human being and landscape.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.
LILIANA PORTER'S DISLOCATED TIME
Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.
NÉLIDA MENDOZA'S IDENTITY SYSTEMS
Nélida Mendoza is an artist who was born in Paraguay, but lived in several parts of the world, including Argentina and Italy. She is presenting the exhibition Fuerte Olimpo and Other Stories at the gallery K / Arte y Naturaleza during the Pinta Sud | ASU 2024 art week.

Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.
FELICIANO CENTURIÓN'S WARM HEART
Pinta Sud | ASU 2024 presented at the Casa Mayor gallery the exhibition Warm Heart, with works by the Paraguayan artist Feliciano Centurión. It is a collection of works from different periods of his career and is curated by Irene Gelfman.

The first half of the year concluded on a low note, and as the art market gets ready to gear up for the last semester, a clearer picture of the challenges faced is emerging.
THE START OF THE SEASON
The first half of the year concluded on a low note, and as the art market gets ready to gear up for the last semester, a clearer picture of the challenges faced is emerging.

The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.
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The Rose Art Museum at Brandeis University announces Leonora Carrington: Dream Weaver, the new exhibition opening on January 22, 2025. The exhibition, curated by Dr. Gannit Ankori, Henry and Lois Foster Director and Chief Curator, will feature over 30 of Carrington’s spellbinding artworks, loaned from private collections, which have rarely been on public display.

As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.
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As 2024 draws to a close, it’s time to assess the state-of-the-art market over the past year. After the post-pandemic boom of 2021 and 2022, the art market suffered a marked slowdown in 2023, which has continued through 2024. According to auction data, the market has accumulated a total decline of 51% since 2022.