A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

The NEXT Section of Pinta Lima 2025—the only contemporary art fair in Peru—focuses on practices that revisit the role of crafts within contemporary artistic expressions, drawing from ways of making and knowing that lie outside conventional techniques. Curated by Emiliano Valdés, this platform proposes a polyphony of approaches to understanding art not only as a means of representation but also as a way of conceiving and constructing the world. This is precisely what Puna gallery and Zlatar bring to the table.
Working in collaboration with Andrea Espinoza’s ceramic studio Manufactura, master weaver Elvia Paucar, and the Goicochea family’s basketry workshop, they have created a body of work that blurs the boundaries between art and design. “In this series, textile patterns reinterpret pre-Columbian architectural structures; basketry breaks away from utilitarian function to reimagine ritual objects made solely from woven reed; and pre-Columbian ceramic forms such as stirrup-spout vessels are transformed into contemporary sculptures,” the artist told Arte al Día.
Otero, from the perspective of design and visual direction, and Zlatar, through sculptural form, spatial design, and symbolic research, have approached a project centered on “the idea of activating the past as possibility.” The proposal reminds us of how Indigenous cultures structured their relationship with the environment, time, and the cosmos—and how these structures—technologies in themselves—can engage in dialogue with our present-day modes of interaction, often mediated by technology.
Within the context of a fair like Pinta, and in a section dedicated to emerging artists, the project invites us to see traditional crafts from a different perspective: “not as frozen legacies, nor as purely artisanal expressions, but as languages with the power to generate contemporary art rooted in identity and critical thought,” Zlatar affirmed.
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Mariana Otero y Yerko Zlatar (Puna Estudio)
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Mariana Otero y Yerko Zlatar (Puna Estudio)
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Yerko Zlatar. Bloques. Acrílico sobre lino, 100 x 100 cm. (Puna Estudio)
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Mariana Otero y Yerko Zlatar. Vaso Pie. Cerámica, 20 x 20 x 15. (Puna Estudio)
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Yerko Zlatar. Bloque 4. Acrílico sobre lino, 50 x 50 cm. (Puna Estudio)
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Mariana Otero y Yerko Zlatar. Culto 4. Lana de oveja tejida en telar a pedal, 150 x 100 cm. (Puna Estudio)
The proposal seeks to dissolve hierarchies within a Peruvian context where rigid boundaries between art, design, and craft still persist. The creative duo presents “works that connect timeframes, materials, and sensibilities through a collaborative, open, and contemporary practice.”
The 12th edition of Pinta Lima will take place from April 24 to 27, 2025, at Casa Prado, Lima (Peru).
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At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

MAC Lima has inaugurated Contemporáneo 1. Materia :: Alchemy :: Device :: Flow, an exhibition poised to become a landmark for contemporary art in Peru. The show, the first in a series of biennial exhibitions based on the museum's collection, brings together the work of over 100 local contemporary artists.
MATTER AND ALCHEMY: 70 YEARS OF PERUVIAN ART AT MAC LIMA
MAC Lima has inaugurated Contemporáneo 1. Materia :: Alchemy :: Device :: Flow, an exhibition poised to become a landmark for contemporary art in Peru. The show, the first in a series of biennial exhibitions based on the museum's collection, brings together the work of over 100 local contemporary artists.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.
PINTA LIMA: TWO CURATORIAL PROJECTS THAT NARRATE THE EVERYDAY ENVIRONMENT
In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Larrauri, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.
ALBERTO REBAZA: COLLECTING AND ARTIST RESIDENCIES IN PERU
Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Larrauri, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.
BRUNO ZEPPILLI: IMAGES OF A SILENCED HISTORY
The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.
AUDI CONTEST IN PINTA LIMA 2025: CREATIVITY WITH IMPACT
As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.

At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

MAC Lima has inaugurated Contemporáneo 1. Materia :: Alchemy :: Device :: Flow, an exhibition poised to become a landmark for contemporary art in Peru. The show, the first in a series of biennial exhibitions based on the museum's collection, brings together the work of over 100 local contemporary artists.
MATTER AND ALCHEMY: 70 YEARS OF PERUVIAN ART AT MAC LIMA
MAC Lima has inaugurated Contemporáneo 1. Materia :: Alchemy :: Device :: Flow, an exhibition poised to become a landmark for contemporary art in Peru. The show, the first in a series of biennial exhibitions based on the museum's collection, brings together the work of over 100 local contemporary artists.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.
PINTA LIMA: TWO CURATORIAL PROJECTS THAT NARRATE THE EVERYDAY ENVIRONMENT
In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Larrauri, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.
ALBERTO REBAZA: COLLECTING AND ARTIST RESIDENCIES IN PERU
Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Larrauri, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.
BRUNO ZEPPILLI: IMAGES OF A SILENCED HISTORY
The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.