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Reviews

Architecture des ombres, 2009. Serie “Le délire des sanges" Lambda print, 54 x 49.2 in./Impresión lambda, 137 x 125 cm. Courtesy/Cortesía Galerie Bendana Pinel

How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.

By Patricia Avena Navarro

Reviews

Norton Maza

By Patricia Avena Navarro

How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.

March 30, 2010

Osiris y Seth. Hermanos enemigos, 2009. Digital print, 17.7 x 35.4 x 47.2 in. Impresión digital, 45 x 90 / 60 x 120 cm. Courtesy/Cortesía Atelier Morales

The Steps Gallery presented the first solo show in London of Atelier Morales.

By Patricia Avena Navarro

Reviews

Atelier Morales

By Patricia Avena Navarro

The Steps Gallery presented the first solo show in London of Atelier Morales.

March 29, 2010

Marta Minujin interview by Philip Larratt-Smith

By por Philip Larratt-Smith, Curador. (New York)

Reviews

Interview - Marta Minujin

By por Philip Larratt-Smith, Curador. (New York)

Marta Minujin interview by Philip Larratt-Smith

March 25, 2010

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

By Daniel R. Quiles

Reviews

Marta Minujín | Short Circuit 1966-1968

By Daniel R. Quiles

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

March 23, 2010

Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

By Milagros Bello

Reviews

Guillermo Kuitca | Noesis of The World

By Milagros Bello

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

March 23, 2010

Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

By Adriana Herrera Tellez

Reviews

Gabriel Orozco : The Indomitable Gaze at MoMA

By Adriana Herrera Tellez

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

March 23, 2010

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