Reviews
![Rubén Torres Llorca , Elephant Talk, Mixed Media on canvas, 47 x 47 in / Técnica mixta sobre canvas, 119.4 x 119.4 cm. Courtesy/Cortesía Praxis Art International Rubén Torres Llorca , Elephant Talk, Mixed Media on canvas, 47 x 47 in / Técnica mixta sobre canvas, 119.4 x 119.4 cm. Courtesy/Cortesía Praxis Art International](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/rube_n_torres_llorca/360390-3-esl-AR/Rube_n_Torres_Llorca_home_ppal.png)
Rubén Torres Llorca
So Quiet in Here was a memorable installation by Rubén Torres Llorca at El Museo del Barrio in New York in 1998.
![First and Second Installations of Precolumbian Objects at the Metropolitan Museum. 2009. Ink and gouache on paper, 61.4 x 98.8 in. Primera y segunda instalación de objetos preco- lombinos en el Metropolitan Museum. Tinta y aguada s/papel, 156 x 251 cm. © 2009 Pablo Bronstein. Courtesy/Cortesía Herald St, London and Franco Noero, Turin First and Second Installations of Precolumbian Objects at the Metropolitan Museum. 2009. Ink and gouache on paper, 61.4 x 98.8 in. Primera y segunda instalación de objetos preco- lombinos en el Metropolitan Museum. Tinta y aguada s/papel, 156 x 251 cm. © 2009 Pablo Bronstein. Courtesy/Cortesía Herald St, London and Franco Noero, Turin](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/pablo_bronstein/360362-3-esl-AR/Pablo_Bronstein_grid_horizontal.png)
Pablo Bronstein
Pablo Bronstein, (b. 1977, Buenos Aires, currently London-based) is the six artist to participate in a series of solo shows of young artists presented annually by the Metropolitan Museum, New York.
![N of MUNDO. Oil on panel, 24 x 24 in. Óleo sobre panel de madera, 61 x 61 cm. Courtesy of the artist/Cortesía de la artista N of MUNDO. Oil on panel, 24 x 24 in. Óleo sobre panel de madera, 61 x 61 cm. Courtesy of the artist/Cortesía de la artista](/var/artealdia_com/storage/images/international/contenidos/resenas/lydia_rubio/360334-4-esl-AR/Lydia_Rubio_grid_horizontal.png)
Lydia Rubio
The title of Lydia Rubio’s exhibition at the Beaux-Arts des Amériques, L’Étrangère (The Foreigner), evokes the title of Albert Camus’s famous book, although the artist obtained inspiration from a poem by Marjorie Agosin.
![The Dinner, Death of Nicola No. 1 / La Cena, Muerte de Nicola No 1, 2008. Retablo. Inkjet print, 73 x 110 in. Edition 3. Impresión a chorro de tinta, 185 x 280 cm. Edición 3. The Dinner, Death of Nicola No. 1 / La Cena, Muerte de Nicola No 1, 2008. Retablo. Inkjet print, 73 x 110 in. Edition 3. Impresión a chorro de tinta, 185 x 280 cm. Edición 3.](/var/artealdia_com/storage/images/international/contenidos/artistas/nicola_costantino/359858-1-esl-AR/Nicola_Costantino_grid_horizontal.jpg)
Nicola Costantino
With the strength of an atavism that brings intense emotions to the imaginary of contemporary art, the violence that pervades the history of Argentina seems to resurface in the work of artist Nicola Costantino.
![Clínica, 2009. Plastic and wire, 31.5 x 33.8 in. Plástico y alambre, 80 x 86 cm. Courtesy/Cortesía: Galeria Nara Roesler Clínica, 2009. Plastic and wire, 31.5 x 33.8 in. Plástico y alambre, 80 x 86 cm. Courtesy/Cortesía: Galeria Nara Roesler](/var/artealdia_com/storage/images/international/contenidos/artistas/luiz_hermano/359830-1-esl-AR/Luiz_Hermano_grid_horizontal.png)
Luiz Hermano
When I asked Luiz Hermano what he thinks about while weaving his complex threads of wire that bind together all sorts of prosaic objects, his answer was that he meditates.
![Nocturno al Conejo de la Luna, 2009. Cylindrical stamp made with used and engraved truck tires. Printed on paper 43 x 97.5 in. in diameter (cylinder) Print: 97.5 x 195 in. long. Sello cilíndrico hecho de llantas de camión usadas y grabadas, impreso sobre papel 110 de diametro x 250 de largo (cilindro) Impresión 240 cm. x 5 mts de largo. Courtesy of the Artist / Cortesía de la artista. Nocturno al Conejo de la Luna, 2009. Cylindrical stamp made with used and engraved truck tires. Printed on paper 43 x 97.5 in. in diameter (cylinder) Print: 97.5 x 195 in. long. Sello cilíndrico hecho de llantas de camión usadas y grabadas, impreso sobre papel 110 de diametro x 250 de largo (cilindro) Impresión 240 cm. x 5 mts de largo. Courtesy of the Artist / Cortesía de la artista.](/var/artealdia_com/storage/images/international/contenidos/artistas/betsabee_romero/359802-1-esl-AR/Betsabee_Romero_grid_horizontal.png)
Betsabeé Romero
The Mexican visual artist Betsabeé Romero1 expresses herself through different artistic mediums – painting, photography, collage, serigraphy, sculpture – but her favorite material is the car and all the parts and accessories that constitute it.
![Machu Picchu. Cuzco, Perú 2005-2007. Digital print with charcoal ink on cotton paper. 25 x 20 in. Ampliación digital en papel de algodón con impresión de tinta de carbón. 64 x 51.5 cm. Courtesy/Cortesía: Galería Patricia Ready Machu Picchu. Cuzco, Perú 2005-2007. Digital print with charcoal ink on cotton paper. 25 x 20 in. Ampliación digital en papel de algodón con impresión de tinta de carbón. 64 x 51.5 cm. Courtesy/Cortesía: Galería Patricia Ready](/var/artealdia_com/storage/images/international/contenidos/artistas/javier_silva-meinel/359774-1-esl-AR/Javier_Silva-Meinel_grid_horizontal.png)
Javier Silva-Meinel
Based on the most traditional photography techniques and devoid of any kind of theatrical trick, the images portrayed by photographer Javier Silva-Meinel (Peru, 1949) manage to convey a powerful emotional and aesthetic energy.
![Museo de Arte Contemporáneo de la Prefectura de Niterói-RJ-Brasil. Photo/Foto Michel Moch. Museo de Arte Contemporáneo de la Prefectura de Niterói-RJ-Brasil. Photo/Foto Michel Moch.](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/oscar_niemeyer/359650-4-esl-AR/Oscar_Niemeyer_grid_horizontal.png)
Oscar Niemeyer
The exhibition presented at Fundación Telefónica in Madrid, in conjunction with the Fundación Cultural Hispano-Brasileña, is the well-deserved tribute to one of the most influential architects in the international context.
![Acorazado. 210,000 bullet shells, car body, 47.2 x 72.8 x 141.7 in. 210.000 casquillos de bala, carrocería de vehículo, 120 x 185 x 360 cm. Acorazado. 210,000 bullet shells, car body, 47.2 x 72.8 x 141.7 in. 210.000 casquillos de bala, carrocería de vehículo, 120 x 185 x 360 cm.](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/limber_vilorio/359622-3-esl-AR/Limber_Vilorio_grid_horizontal.png)
Limber Vilorio
The always interesting proposal of Limber Vilorio (Santo Domingo, Dominican Republic, 1972)
![Compartement, 2009. Installation view at the MMK Zollamt Vista de la instalación en el MMK Zollamt Compartement, 2009. Installation view at the MMK Zollamt Vista de la instalación en el MMK Zollamt](/var/artealdia_com/storage/images/international/contenidos/resenas/zinny_maidaga_n/359594-3-esl-AR/Zinny_Maidaga_n_grid_horizontal.png)
Zinny/Maidagán
Dolores Zinny (Rosario, Argentina, 1968) and Juan Maidagán (Rosario, Argentina, 1957) have been invited to explore Zollamt.
![Architecture des ombres, 2009. Serie “Le délire des sanges" Lambda print, 54 x 49.2 in./Impresión lambda, 137 x 125 cm. Courtesy/Cortesía Galerie Bendana Pinel Architecture des ombres, 2009. Serie “Le délire des sanges" Lambda print, 54 x 49.2 in./Impresión lambda, 137 x 125 cm. Courtesy/Cortesía Galerie Bendana Pinel](/var/artealdia_com/storage/images/international/contenidos/resenas/norton_maza/359566-3-esl-AR/Norton_Maza_grid_horizontal.png)
Norton Maza
How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.
![Osiris y Seth. Hermanos enemigos, 2009. Digital print, 17.7 x 35.4 x 47.2 in. Impresión digital, 45 x 90 / 60 x 120 cm. Courtesy/Cortesía Atelier Morales Osiris y Seth. Hermanos enemigos, 2009. Digital print, 17.7 x 35.4 x 47.2 in. Impresión digital, 45 x 90 / 60 x 120 cm. Courtesy/Cortesía Atelier Morales](/var/artealdia_com/storage/images/international/contenidos/resenas/atelier_morales/359508-3-esl-AR/Atelier_Morales_grid_horizontal.png)
Atelier Morales
The Steps Gallery presented the first solo show in London of Atelier Morales.
![Andy Warhol y Marta Minujin Andy Warhol y Marta Minujin](/var/artealdia_com/storage/images/international/contenidos/novedades/entrevista_-_marta_minujin/358369-1-esl-AR/Entrevista_-_Marta_Minujin_grid_horizontal.jpg)
Interview - Marta Minujin
Marta Minujin interview by Philip Larratt-Smith
![Marta Minujín Marta Minujín](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/marta_minuji_n_cortocircuito_1966-1968/357663-1-esl-AR/Marta_Minuji_n_Cortocircuito_1966-1968_grid_horizontal.png)
Marta Minujín | Short Circuit 1966-1968
MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.
![Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/guillermo_kuitca_noesis_del_mundo/357629-1-esl-AR/Guillermo_Kuitca_Noesis_del_Mundo_grid_horizontal.png)
Guillermo Kuitca | Noesis of The World
Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.
![Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco](/var/artealdia_com/storage/images/international/columna_izquierda/slide_home/gabriel_orozco_la_mirada_indo_mita_en_el_moma/357584-1-esl-AR/Gabriel_Orozco_La_Mirada_Indo_mita_en_el_MoMA_grid_horizontal.png)
Gabriel Orozco : The Indomitable Gaze at MoMA
Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York