Notes related to Bienal

Manuel Borja-Villel, a Spanish art historian and former director of the Reina Sofia for the past 15 years, is going through a special moment personally and professionally with a new challenge in his career.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

The international call for Biennale College Arte opened for young emerging artists. Deadline to apply: July 24th, 2023.

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

The President of La Biennale di Venezia, Roberto Cicutto, and the Curator of the 60th International Art Exhibition, Adriano Pedrosa announced the title and theme of the Venice Biennale Arte 2024, which will take place from 20^th April to 24^th November 2024.

Everlasting Plastics is the United States Pavilion’s proposal at the Venice Architecture Biennale.

The Luxembourg Pavilion presented Down to Earth, a project by Francelle Cane and Marija Marić at the 2023 Venice Architecture Biennale. Down to Earth critically unpacks the project of space mining through the perspective of resources. 

For its participation at the 18th International Venice Architecture Biennale through its national pavilion, France chose to be represented by the project Ball Theater.

2086: Together now? asks why there is so much isolation at an era where humans are supposed to be hyper-connected through globalization of information, finance, and event culture.

Ghost Stories: The Carrier Bag Theory of Architecture will be presented at the Türkiye Pavilion as part of the Venice Architecture Biennale between May 20 and November 26, 2023. 

The 18th International Architecture Exhibition, titled The Laboratory of the Future, will be open to the public from Saturday May 20 to Sunday November 26, 2023 at the Giardini and the Arsenale, and at Forte Marghera; it will be curated by Lesley Lokko and organised by La Biennale di Venezia.

The Future Generation Art Prize is a biannual global contemporary art prize to discover, recognize and give long-term support to a future generation of artist. Deadline to apply April 30^th, 2023.

Conceived between a pandemic and a war in Europe, the 16th edition of the Biennale de Lyon "Manifesto of fragility", affirms fragility as intrinsically linked to a form of resistance initiated in the past, in tune with the present and capable of facing the future.

The first edition of Paris+ par Art Basel will bring together 156 premier galleries from 30 countries and territories. The fair will take place at the Grand Palais Éphémère through a program of collaborations with Paris’ cultural institutions and its city-wide sector Sites.

The 10^th edition of the Architecture Biennale Rotterdam showcases the work of 50 spatial designers, architects and researchers who are addressing the future of our planet in an inspiring way.

The 35th edition of the São Paulo Biennial, the largest contemporary art exhibition in Latin America, will take place in 2023 and the Fundação Bienal launched the first curatorial text. CHOREOGRAPHIES OF THE IMPOSSIBLE presents the key concepts and ideas.

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the Void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without public” (2020).

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without an audience” (2020).

The 24th Biennale of Sydney will take place March 9–June 10, 2024.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.

For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.

For the Austrian Pavilion in Venice in 2022, Jakob Lena Knebl and Ashley Hans Scheirl have conceived stage-like installations, entitled Invitation of the Soft Machine and Her Angry Body Parts, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text and video to a fashion collection and a publication in the form of a magazine. These “spaces of desire” upset conventional notions of museum presentations and subvert the hierarchies of art and design, of high and low.

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59^th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.