Notes related to Brasil

The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.

With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.

Instituto Inhotim inaugurates a new permanent gallery dedicated to Yayoi Kusama. Galeria Yayoi Kusama features two of her works: I’m here, but nothing (2000) and Aftermath of Obliteration of Eternity (2009), both belonging to the Instituto Inhotim Collection.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

Four years after de donation of Paulo Mendes da Rocha’s entire archive to Casa da Architectura, the Portuguese Center for Architecture presented two simultaneous exhibtions, a book and a ten-month parallel program of activities around the artist’s principles, aesthetics and ethics.

Curated by Valquíria Prates, Mirela Estelles and Cauê Alves, the exhibit at MAM São Paulo brings more than 70 collection pieces by artists ranging from painting to intervention.

Claudia Andujar and the Yanomami Struggle is the first major international retrospective at the Museo Universitario Arte Contemporáneo (MUAC) dedicated to the long collaboration between Brazilian artist and activist Claudia Andujar and the Yanomami people.

Breath Pieces is Camila Sposati’s –a Brazilian artist and researcher– first solo exhibition in Germany. The artist creates a unique experiential space that vibrates throughout the city of Stuttgart and builds on her artistic exploration over the past years.

AVAF began using wallpapers as a first way to occupy the exhibition space, sometimes as a way to enhance it, sometimes as a way to transform it, among several other elements that make up his immersive installations. He works with a wide range of media, including installations, painting, sculpture, tapestry, neon and wallpaper, and his trainings vary depending on the projects he undertakes.

The Currier Museum of Art announces the first solo exhibition of UÝRA (they/them/their) in a US institution.

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

El sueño sudamericano es la primera exposición individual de la artista en el PAMM, en Estados Unidos. Marcela Cantuária invita al espectador a considerar la naturaleza de estos sueños.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

SP–Arte 2023 will feature more than 150 exhibitors and an expansion of the design sector. From March 29 to April 2, the Biennial Pavilion welcomes national and international art galleries, design studios, publishers, cultural institutions and independent spaces.

Co-organized with IPEAFRO, Inhotim features Third act: Sortilege (Black Mystery) an exhibition with more than 180 works, including documents, books, and artworks by Abdias Nascimento.

The Center for Curatorial Studies, Bard College (CCS Bard) announced that Adriano Pedrosa, Artistic Director of Museu de Arte de São Paulo Assis Chateaubriand (MASP), will receive the 2023 Audrey Irmas Award for Curatorial Excellence. 

Mitchell-Innes & Nash presented first solo exhibition for Brazilian artist Antonio Henrique Amaral (1935-2015). Antonio Henrique Amaral: O Discurso will feature 10 paintings ranging in date from the 1960s to the 1990s.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

With the recent exhibition by Rosario López, Tapizar el Paisaje, Marli Matsumoto's gallery received and sheltered a strong artistic expression that, through apocalyptic tapestries and photographs of recent industrial history, tells the story of how the landscape is shaped, built or destroyed. In this interview, the founder of the gallery in São Paulo delves into the bases that gave life to the gallery and her interest in providing a space for young artists and experimental contemporary art.

From Body to Code at ZKM (Center for Art and Media Karlsruhe) will gather, for the first time in Europe, the most representative pieces of her artistic trajectory.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

The first solo exhibition in the United States of the afro-brazilian artist Arthur Bispo. Co-curated by Aimé Iglesias Lukin, Ricardo Resende, and Javier Téllez, with Tie Jojima.

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20^th to November 24^th).

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.