JUAN JOSÉ CAMBRE AND HIS CHROMATIC LABYRINTHS

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

Rolf Art inaugurates Statement, the second solo exhibition of artist Francisco Medail, accompanied by a presentation text by essayist and cultural critic Paola Cortés Rocca.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

Rolf Art inaugurates Statement, the second solo exhibition of artist Francisco Medail, accompanied by a presentation text by essayist and cultural critic Paola Cortés Rocca.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

Rolf Art inaugurates Statement, the second solo exhibition of artist Francisco Medail, accompanied by a presentation text by essayist and cultural critic Paola Cortés Rocca.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

Rolf Art inaugurates Statement, the second solo exhibition of artist Francisco Medail, accompanied by a presentation text by essayist and cultural critic Paola Cortés Rocca.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

The Shame (Behind the Scene) is Cynthia Cohen’s first solo show in Miami, at Dot Fiftyone Gallery. The exhibition is curated by Laura Isola. Cohen’s paintings regenerate the historical gaze on the naked female body, creating new relationships between the work and the viewer. She disrupts the logic of art history, reinventing the relationship between subject and observer, private and public. Her work simultaneously veils and unveils sexuality.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

Rolf Art inaugurates Statement, the second solo exhibition of artist Francisco Medail, accompanied by a presentation text by essayist and cultural critic Paola Cortés Rocca.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.