News

Liliana Porter conceived the work Man with an axe, 2017, which will be presented for the first time at the Arsenale in Venice. The piece is the culmination of a series of works created in the last several years, in which Porter positions a tiny, solitary character in front of a pile of material completely out-of-proportion to their size or ability.

The book "Flor Garduño" from the Photo Poche collection, published by Fomento Cultural Banamex, A.C., will be presented on Wednesday, May 17th at 7:30 p.m. And Ediciones Tecolote.

From Thursday, April 27 until June 10, it is possible to see "Distorsions and Imperfections", the new exhibition by the Guatemalan artist Sandra Monterroso in The 9.99 gallery.

Cecilia Brunson Projects Santiago announces a solo exhibition by acclaimed Mexican photographer Graciela Iturbide. With works spanning four decades (from 1969 – 2007), the exhibition presents key moments from the artist’s career, including some of her most iconic images.

With this sixth posting, I continue to inform our online readers of the unprecedented exhibition Pacific Standard Time: LALA/ that offers thematically linked exhibitions and programs in a four-month-long, region-wide exploration of Latin American and Latino Art in dialogue with Los Angeles. The below is a summary of The Hammer Museum Radical Women: Latin American Art, 1960-1985, followed by a curatorial statement by Cecilia Fajardo-Hill on the exhibition. Over 260 works by more than 100 artists from 15 countries will be on View September 15–December 31, 2017

Ruby Rumié: Weaving Streets, is being on view at Nohra Haime Gallery from April 21st to June 10th and will include a series of photographs, a video, a poster, and five volumes on Cartagena’s ambulant street vendors.

With this fifth posting, I continue to inform our online readers of the extraordinary exhibition Pacific Standard Time: LA/LA that offers thematically linked exhibitions and programs in a four-month-long, region-wide exploration of Latin American and Latino Art in dialogue with Los Angeles. Have a look at the below summary of Making Art Concrete: Works from Argentina and Brazil in the Colección Patricia Phelps de Cisneros at the J. Paul Getty Museum.

Born in Avellaneda, south of the Greater Buenos Aires, Romero became involved in the plastic arts from an early age. With a political imprint, throughout his career he has sought to develop unconventional plastic art techniques, such as mail art and urban interventions to which he gave a special dedication.

With this fourth posting, I continue to inform our online readers of the unprecedented exhibition Pacific Standard Time: LALA/ that offers thematically linked exhibitions and programs in a four-month-long, region-wide exploration of Latin American and Latino Art in dialogue with Los Angeles. Have a look at the below summary of The U.S.-Mexico Border: Place, Imagination, and Possibility. Since September 10, 2017 – January 7, 2018 at the Craft & Folk Art Museum (CAFAM) and stayed tuned.   

The City Museums Foundation (FMC), with the support of the Ministry of Culture of the Metropolitan District of Quito, conducted an open and public process to select the Coordinator of the Contemporary Art Center. The mentioned competition had the application of 130 postulants.

From May 13^th to June 7^th 2017, BP.17 the Second Performance Biennale will take place. This year’s event includes 50 projects by more than 100 outstanding local and international artists. www.bp17.org 

The Museum of Modern Art in Buenos Aires presents Tomás Saraceno: Cómo atrapar el universo en una telaraña, the first individual exhibition in an Argentinian museum by Tomás Saraceno (born in 1973 in San Miguel de Tucumán and resident in Berlin), which can be Visit until next August 27. In Av. San Juan 350.

With the presence of the Minister of Culture of Argentina, Pablo Avelluto, the press conference that crowned the expedition was celebrated in the Faena Art Center. Antarctic Biennale brought together artists, scientific and global thinkers from all over the world in a cultural expedition without precedence.

Columbia University’s new Manhattanville campus will come to life this spring with the opening of its first two completed buildings, the Lenfest Center for the Arts and the Jerome L. Greene Science Center, both designed by Renzo Piano Building Workshop

Circles and Circuits: Chinese Caribbean Art, an unprecedented series of shows presenting rarely exhibited artworks,  is part of the Getty’s Pacific Standard Time initiative, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. 

The Colección Patricia Phelps de Cisneros (CPPC) and Independent Curators International (ICI) announce The 2017 Colección Patricia Phelps de Cisneros Travel Award for Central America and the Caribbean. 

The Cisneros Fontanals Art Foundation (CIFO) in Miami has named the nine recipients of its 15th annual Grants & Commissions Program, including an achievement award to the post-conceptual artist Daniel Joseph Martinez.

With almost twenty years, XIX International Call for Young Artists organized by Luis Adelantado Valencia is one of the most important prize of Valencia. Last day of admissions: 19 April 2017

Broken Time is the first retrospective in Latin America of General Idea, a collective of Canadian artists formed in 1969 by AA Bronson

The 9.99 Gallery presents Vulcanidad, an exhibition of the recent work by Diana de Solares, who, in an abstract and geometric language, presents artifacts, sculptures and paintings that, behind a formal vocabulary, enter into their own reflections on the World and the way we inhabit our spaces.

Cecilia Brunson Projects announces  brasilian artist´s first exhibition in the UK, that will open on March 30, 2017 and will run until May 19. 

Words are wind / Parole sono vento at the Federico Luger Gallery in Milan, is the first personal exhibition of the artist in Italy, and the fifth individual in Europe. It can be visited from 29 March to 25 May 2017

The decisive participation of Sofía Imber in the development of the journalism, art criticism, and cultural institutions of Venezuela made her one of the most influential figures in the contemporary history of the country and Latin America. 

The renowned Colombian artist died on March 19 after two weeks of hospitalization. This year was to prepare the commemoration of the 45 years of Galería de La Oficina.

The following Press Announcement continues my first posting regarding this extraordinary exhibition Pacific Standard Time: LA/LA. We will look at Performance Art, Education programs, Support for Pacific Standard Time: LA/LA, and the list of the participating institutions. 

More than 70 Southern California Cultural Institutions will Offer Thematically Linked Exhibitions and Programs in a Four-Month-Long.

Esteban Lisa: The Abstract Cabinet, open until 20 May, presents 37 works produced between 1930 and 1968 by the Spanish/Argentine artist Esteban Lisa, one of the pioneering figures in twentieth-century Latin American and Spanish abstract art.

Organized in Collaboration with the Secretaría de Cultura de México, México 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant-Garde Highlights New Narratives in Mexico’s Modern Art History and Marks First Exhibition at DMA Organized by Agustín Arteaga

From March 4 to April 30, 2017 the Jumex Museum will present an ontological exhibition that gathers six decades of transcendental paintings by Robert Ryman.