News

The exhibition Medios y ambientes, curated by Tatiana Flores and Laura Roulet, at the Museo Universitario del Chopo, Mexico City, allowed the display, from May to October, of the artwork of eight Latin American artists employing an expansive notion of space to challenge the boundaries of the object and the artistic media.

The director and principal executive official of the Museo de Arte de Ponce, Agustín Arteaga, announced the election of Rafael E. Irizarry as director of development of the institution.

The 8th Berlin Biennale for Contemporary Art, realized by KW Institute for Contemporary Art in Berlin, announces the appointment of Juan A. Gaitán as curator of its following 8th edition.

The Centro Cultural Español (Spanish Cultural Center), CCE, Miami announced a guided tour, on Friday October 12, at 6:pm, for the closing of the exhibition Memoria del Oikos (La casa re-presentada). Taking as a point of departure a Bertolt Brecht´s quote, “I am like that man who carried a brick around with him to show the world what his house used to look like.”, the Aluna Curatorial Collective reunites artists from different places in the Caribbean and Latin America, and from other places in the United States who now reside in this city inhabited mainly by immigrants.

Galerie Nordenhake is presenting "Encyclopedia of the Dead" - the first solo exhibition of Mexican artist Iñaki Bonillas' in Berlin.

The Patricia & Phillip Frost Art Museum at Florida International University (FIU) today announced the launch of the Virtual Frost Art Museum. This new website enables art enthusiasts to view exhibitions from their computer or smart phone, thanks to support from the John S. and James L. Knight Foundation as part of its Knight Arts Challenge.

A legendary modernist dwelling, the Glass House designed by the Italian architect Lina Bo Bardi, in the Morumbi neighborhood, in the city of São Paulo, is not only the setting but also the radiating space for the exhibition curated by Hans Ulrich Obrist, O interior está no exterior (The Insides are on the Outsides).

The Art Museum at Universidad Nacional de Colombia is presenting El Camino corto (The Short Path), two never-before-seen large-scale installations by Colombian conceptual artist Miguel Angel Rojas. Commissioned and produced by the University, these installations constitute the artist’s largest solo exhibition to date.

The Wattis Institute for Contemporary Arts is presenting “When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion”, curated by Jens Hoffmann, director of the CCA Wattis Institute.

This fall, the Museum of Latin American Art (MOLAA) is proud to present the work of a Modern artist who defied the norms and was pioneers in Mexico: Lola Álvarez Bravo (1903-1993).

The Museum of Modern Art, São Paulo, Brazil, is presenting a retrospective of Adriana Varejão, one of the most renowned artist of her generation, from 4 September through 16 December 2012.

At night, in the Bolivian Uyuni Salt Flat, the stars shine in the sky and on its surface with the same intensity. The horizon is imperceptible, and compass needles go crazy due to the high concentration of lithium that may be found in the largest salt desert in the world.

Richmond Center for Visual Arts, Kalamazoo, Michigan, Western Michigan University, Gwen Frostic School of Art, presents An Exercise in Numbness and Other Tales by the Puerto Rican artist Nayda Collazo-Llorens .

The Spanish photographer Isabel Muñoz knew “La Bestia” (“The Beast”) closely and portrayed its entrails. This was the name given by immigrants from Central America – mostly from Honduras, Guatemala and El Salvador – to the freight train which has, for years, transported those who traveled northward through Mexico, trying to reach the border with the United States as stowaways.

Instituto de Arte Contemporânea (IAC) is proud to present O Espaço Ressoante. Os Colorítmos de Alejandro Otero (Resonant Space: The Colorhythms of Alejandro Otero).

The Fundação Bienal do Mercosul announced the appointment of Sofía Hernández Chong Cuy as the chief curator of the 9th Mercosul Biennial. Her curatorial team includes Mônica Hoff (Ground Curator), Raimundas Malašauskas (Time Curator), and Bernardo de Souza (Space Curator), as well as four Curatorial Cloud Fellows: Julia Rebouças, Sarah Demeuse, Daniela Pérez, and Dominic Willsdon.

Museo Amparo inaugurated the exhibition Francis Alÿs. Fabiola, presented in the museum's Colonial Art and Nineteenth Century galleries. The exhibition features more than four hundred images of St. Fabiola, acquired over more than a decade by Francis Alÿs, the Belgian artist settled in Mexico.

Absence of Place, 2005, one of Miami artist Xavier Cortada’s best known works, was recently acquired by the Miami Art Museum (MAM) for their permanent collection.

The fall of the Berlin Wall and the end of real socialist states led not only to a geopolitical transformation, but also to a new interest in the visual and material culture of so called “former east countries”.

La lengua de Ernesto is the largest exhibition of Ernesto Neto's works to date.

The exhibition Caribbean: Crossroads of the World is the culmination of nearly a decade of collaborative research and scholarship organized by El Museo del Barrio in conjunction with the Queens Museum of Art and The Studio Museum in Harlem.

Art Stays International Contemporary Arts Festival of Ptuj, Slovenia, celebrates its tenth anniversary this year, and will be attended by contemporary artists from all over the world.

The of the newly initiated "Curatorial Summer Workshop" is a collaboration of The Royal Institute of Art and Tensta konsthall, initiated and hosted by Maria Lind and Nina Möntmann.

Museum Het Domein proudly presents a double exhibition by Cuban-American artist José Bedia (Havana, Cuba, 1959) and Belgium-based Dutch artist Hans Lemmen (Venlo, the Netherlands 1959).

Espai d'art Contemporani de Castelló, EACC, is presenting the group exhibition In suspension, showcasing recent work by three Latin American artists who examine architecture, urban development and, more specifically, interrupted constructive processes.

The narrative-imaginary vacuum of the present bears the imprint of the systemic monstrosity of modern history. The re-visioning of modernity and the rewriting of its master narratives constitute a trans-disciplinary project of global proportions.

The exhibition “Nicolás París. Experimental Educational Exhibition”, which will be held between August and December, 2012 is a site-specific project in collaboration with the Public Programs Department, which is inaugurating the Espacio Experimental Pedagógico (Educational Experimental Space), a new research platform created by the museum with the aim of establishing a direct relationship between the curatorial exhibitions program and the area of public programs.

As part of the events organized by the Gego Foundation to commemorate the one hundredth anniversary of the birth of the Venezuelan-German artist, Sala Mendoza is presenting a retrospective exhibition curated by Josefina Manrique that includes works never exhibited before.

In his book Imaginarios urbanos (Eudeba, 2005), Néstor García Canclini proposes a question: “Who narrates the stories of the city in the chronicles, in films, in songs, and in exhibitions…?”

The Centro Cultural Español, CCE, Miami, presents “La Bestia”, an itinerant exhibition that emerges from a personal project by Isabel Muñoz. It gathers the documentation of the three trips that she has made during three years along the Southern border of Mexico.