ASUNCIÓN IN THE SPOTLIGHT: LAST EDITION OF PINTA SUD

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors  as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.

The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.

Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors  as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.

The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.

Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors  as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.

The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.

Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors  as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.

The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.

Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

A week away from its official opening, the 60th edition of the Venice Biennale has generated press urbi et orbi. While some articles celebrated the irruption of the Global South in the Arsenale and the Giardini, others -truly devastating- reported on the disturbance and discomfort that the proposal of Adriano Pedrosa -the first Latin American to cure La Biennale in more than a century of existence- has awakened in the Western art system.

Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

Aimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires, she has been living in New York since 2011. She earned her PhD in art history from Rutgers University with a dissertation titled "This Must Be the Place: Latin American Artists in New York 1965–1975," which became an exhibition at Americas Society in 2021. Her writings have been featured at international conferences and published by prestigious museums and academic journals, including the New Museum, the Museum of Modern Art, and the Guggenheim Museum.

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

It is with great enthusiasm that we announce the inauguration of a new section in our magazine, dedicated to the fascinating and dynamic art market. This section is designed to serve both experts and news collectors  as well as enthusiasts who wish to enter, participate, and better understand this exciting world. The section benefits from the guidance and advice of María Sancho-Arroyo, an expert in the field.

The art market stands out as a unique and enigmatic sector, notoriously difficult to measure and largely unregulated. Yet, it never fails to captivate the media, drawing attention with its dazzling multimillion-dollar sales and the alluring glamour of art collecting.

Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

Paraguayan artist Claudia Casarino will be part of the opening of the Pinta Sud | ASU 2024 art week, from August 5 to 11, 2024. In a conversation with Arte al Día, she explains her link with Paraguay, the body and clothing to tell stories that reinterpret the universe of women.