Notes related to Museums

Co-organized with IPEAFRO, Inhotim features Third act: Sortilege (Black Mystery) an exhibition with more than 180 works, including documents, books, and artworks by Abdias Nascimento.

MACBA presents the exhibition Line and Vibration by Josefina Robirosa. It is curated by Rodrigo Alonso.

Museo Jumex presents The Design of Cartier: A Living Legacy, an exhibition that traces the history of the Maison through a selection of its most iconic jewelry.

The Reina Sofia Museum of Art proposes an approach to the Susana and Ricardo Steinbruch Collection with the exhibition Un acto de ver que se despliega (An act of seeing that unfolds).

The Brooklyn Museum and Instagram, in collaboration with #BlackVisionaries Creative Chair Antwaun Sargent announced the ten recipients of the 2022 grant program.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition explores how artists have responded to the transformative years since the hurricane by bringing together more than fifty artworks made over the last five years by an intergenerational group of more than fifteen artists from Puerto Rico and the diaspora. 

The Kendall Art Center (KAC) goes from art center to Museum of Contemporary Art of the Americas (MoCAA) and celebrates it with new exhibition.

The exhibition El nudo vertical, at Es Baluard Museum of Modern and Contemporary Art, is dedicated to the artist Jorge Eduardo Eielson and offers the opportunity to examine his artistic production from the late 1950s to his latest works.

The Museo de Arte de Zapopan presents designers from Liberal Youth Ministry and Dream Baby! in an exhibition that is part of the fifth edition of the museum's Contemporary Fashion and Design program.

Curated by El Museo curator Susanna V. Temkin, DOMESTICANX brings together seven intergenerational artists whose practices address the private sphere through works related to healing, spirituality, decoration, and the home.

The exhibition at the Museo de Arte Moderno de Bogotá (MAMBO) in conjunction with the Cinemateca de Bogotá presents works that highlight and manifest sociopolitical questions, identity politics, the representation and fragmentation of the body, performativity and performance, globalization and diaspora.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Pérez Art Museum Miami (PAMM) presents, for the first time in the United States, a monographic exhibition of the work of Argentine artist Leandro Erlich. Curated by Dan Cameron, featuring sixteen works from more than two decades of production.

The Jewish Museum of Florida-FIU opens Art Basel season in Miami Beach with the premiere of Lady Liberty: A Bonnie Lautenberg Retrospective, celebrating powerful images of women from two decades of work from the artist.

The eighth project in the exhibition series “HERE AND NOW at Museum Ludwig” embarks on an anti-colonial journey through the permanent collection. 

To celebrate the 40^th year of the "Cézanne Prize" contest, the MACA Uruguay presented a retrospective exhibition with a trajectory of all the winners up to the present day. In addition, the 2022 winner of the prize was announced.

Zero Armi Nucleari is Mexicam artist Pedro Reyes first solo exhibition in the Italian Museo Nivola, exposing through his work a strong message of nuclear disarmament.

Museo Tamayo opens the exhibition Raphael Montañez Ortiz: A Contextual Retrospective, the first large-scale exhibition dedicated to the artist, activist and educator. It gets together his work produced from the 1950s to the early 2020s in different media such as film, painting, photography, video installation, documents and assemblages.

The Museum im Kulturspeicher Würzburg presents exhibition CONCRETE GLOBAL! taking the idea of concrete art as a global phenomenon for the first time and examining its aesthetic manifestations, socio-political dimensions and its networks worldwide on the basis of key figures and works.

The new Board of Directors of the MAC Lima was unanimously elected for the period 2022-2025, comprised of Meg de Romaña, president; Eduardo Hochschild Beeck, vice president; Manuel Ugarte Maggiolo, secretary; Carlos Heeren Ramos, treasurer; and Luis Pérez-Oramas, Ximena Vega Amat y Leon and Geaninne Gutiérrez-Guimarães, members.

The Museo Jumex inaugurates a retrospective of the work of Gertrud Goldschmit, better known as Gego. The exhibition traces her interdisciplinary artistic production in her journey through the disciplines of architecture, design, sculpture, drawing, printmaking, fabric, installations, public art and pedagogy.

ARKEN Museum of Modern Art opens the first major Leonora Carrington exhibition in Scandinavia. The artist was one of Surrealism’s key figures, rebelling against power hierarchies and conventions with a magical universe filled with humor, witchcraft and spirit.

An international group exhibition will occupy the entire building of the Italian museum Museion. Kingdom of the Ill seeks to respond to the current debate on health and illness, contamination and purity, care and neglect by asking how and by whom a body is defined as healthy or sick.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

The Miami-based artist Alex Trimino presents Stitching The Gap, the inaugural exhibition for the Project Room at the Lowe Art Museum curated by Lance M. Fung.