Notes related to Museums
![CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR](/var/artealdia_com/storage/images/bienalsur/caos-y-realidad-luis-felipe-noe-en-bienalsur/751312-1-esl-AR/CAOS-Y-REALIDAD-LUIS-FELIPE-NOE-EN-BIENALSUR_grid_horizontal.jpg)
CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR
The renowned Argentine artist Luis Felipe “Yuyo” Noé is also a part of BIENALSUR 2021, the International Biennial of Contemporary Art of the South, which emerged at Argentina’s Universidad Nacional de Tres de Febrero and is held in 124 venues in 24 countries around the world. The installation "Entreveros BIENALSUR / MUNTREF" can be visited in Buenos Aires, at the MUNTREF Centro de Arte Contemporáneo (at its Hotel de Inmigrantes venue), until the end of December.
![ART, SCIENCE AND TECHNOLOGY - VIBRATIONAL STATES BY ALBA TRIANA AT MAMBO ART, SCIENCE AND TECHNOLOGY - VIBRATIONAL STATES BY ALBA TRIANA AT MAMBO](/var/artealdia_com/storage/images/noticias/arte-ciencia-y-tecnologia-estados-vibracionales-de-alba-triana-en-el-mambo/751201-1-esl-AR/ARTE-CIENCIA-Y-TECNOLOGIA-ESTADOS-VIBRACIONALES-DE-ALBA-TRIANA-EN-EL-MAMBO_grid_horizontal.jpg)
ART, SCIENCE AND TECHNOLOGY - VIBRATIONAL STATES BY ALBA TRIANA AT MAMBO
The Museum of Modern Art of Bogota- MAMBO presents Vibrational States by artist Alba Triana. An exhibition that uses technology through multisensory experiences. The public will find pieces exploring energy and vibration; a line of inquiry that stems from a deep urge to listen to an invisible world.
![DIASPORAS AND ATLANTIC COMMUNIONS - YORUBÁIANO AND JUNTÓ: AYRSON HERÁCLITO DIASPORAS AND ATLANTIC COMMUNIONS - YORUBÁIANO AND JUNTÓ: AYRSON HERÁCLITO](/var/artealdia_com/storage/images/resenas/diasporas-y-comuniones-atlanticas-yorubaiano-y-junto-ayrson-heraclito/750402-1-esl-AR/DIASPORAS-Y-COMUNIONES-ATLANTICAS-YORUBAIANO-Y-JUNTO-AYRSON-HERACLITO_grid_horizontal.jpg)
DIASPORAS AND ATLANTIC COMMUNIONS - YORUBÁIANO AND JUNTÓ: AYRSON HERÁCLITO
“Moving with great fluidity between spirituality, the production of visuality, academic reflection and political action, Heráclito is explicit when he says that he wants to ‘act, in a symbolic way, on the devastating consequences of racism and social inequality that affect the black populations'." In this way, the curator and researcher Solange Farkas (Videobrasil and ex-MAM Bahía) summarizes the approach to the production of Ayrson Heráclito, a Bahian artist who won a retrospective at the MAR (Museu de Arte do Rio) and who had an important recent solo show at the Simões de Assis Gallery, in São Paulo.
![DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ](/var/artealdia_com/storage/images/noticias/museo-de-pont-adquiere-obras-de-la-artista-colombiana-beatriz-gonzalez/750103-1-esl-AR/MUSEO-DE-PONT-ADQUIERE-OBRAS-DE-LA-ARTISTA-COLOMBIANA-BEATRIZ-GONZALEZ_grid_horizontal.jpg)
DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ
The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.
![JORGE PARDO’S EXHIBITION AT THE MUSEUM OF ART AND DESIGN, MIAMI JORGE PARDO’S EXHIBITION AT THE MUSEUM OF ART AND DESIGN, MIAMI](/var/artealdia_com/storage/images/noticias/exhibicion-de-jorge-pardo-en-el-museo-de-arte-y-diseno-de-miami/750049-1-esl-AR/EXHIBICION-DE-JORGE-PARDO-EN-EL-MUSEO-DE-ARTE-Y-DISENO-DE-MIAMI_grid_horizontal.jpg)
JORGE PARDO’S EXHIBITION AT THE MUSEUM OF ART AND DESIGN, MIAMI
Titled Mongrel, this site-specific installation transforms MOAD’s largest gallery into a dynamic interior that evokes domestic space and the artist’s early experiences as a Cuban refugee. A series of twenty-five new drawings created expressly for this exhibition meld a wide variety of images into arresting abstractions of pulsing color and form, while still occasionally revealing their representational sources.
![TWO EXHIBITIONS AT JUMEX THAT REFLECT ON HEAT AS A TRANSITIONAL AXIS TWO EXHIBITIONS AT JUMEX THAT REFLECT ON HEAT AS A TRANSITIONAL AXIS](/var/artealdia_com/storage/images/noticias/dos-exhibiciones-en-el-jumex-que-reflexionan-sobre-el-calor-como-eje-de-transicion/749020-1-esl-AR/DOS-EXHIBICIONES-EN-EL-JUMEX-QUE-REFLEXIONAN-SOBRE-EL-CALOR-COMO-EJE-DE-TRANSICION_grid_horizontal.png)
TWO EXHIBITIONS AT JUMEX THAT REFLECT ON HEAT AS A TRANSITIONAL AXIS
Until February 13th, 2022, Museo Jumex will present two exhibitions in dialogue; the solo show Sofía Táboas: Gama térmica (Sofía Táboas: Thermal Range), organized by Kit Hammonds, Curator in Chief, and Colección Jumex: Temperatura ambiente (Jumex Collection: Ambient Temperature), curated by the artist Sofía Táboas.
![“MOQUÉM_SURARÎ: CONTEMPORARY INDIGENOUS ART” AT THE MUSEU DE ARTE MODERNA DE SÃO PAULO “MOQUÉM_SURARÎ: CONTEMPORARY INDIGENOUS ART” AT THE MUSEU DE ARTE MODERNA DE SÃO PAULO](/var/artealdia_com/storage/images/noticias/moquem_surari-arte-indigena-contemporaneo-en-el-museu-de-arte-moderna-de-sao-paulo/748749-1-esl-AR/MOQUEM_SURARI-ARTE-INDIGENA-CONTEMPORANEO-EN-EL-MUSEU-DE-ARTE-MODERNA-DE-SAO-PAULO_grid_horizontal.jpg)
“MOQUÉM_SURARÎ: CONTEMPORARY INDIGENOUS ART” AT THE MUSEU DE ARTE MODERNA DE SÃO PAULO
Curated by Jaider Esbell, and within the context of the 34th Bienal de São Paulo, the group exhibition Moquém_Surarî gathers contemporary artworks by indigenous artists. The exhibition at MAM São Paulo will include drawings, paintings, photographs and sculptures referring to the visual transformations on the cosmological and the narrative Amerindian thinking.
![SYNDEMIA - VOLUSPA JARPA’S PROJECT ON VIOLENCE AND RESISTANCE SYNDEMIA - VOLUSPA JARPA’S PROJECT ON VIOLENCE AND RESISTANCE](/var/artealdia_com/storage/images/noticias/sindemia-proyecto-de-voluspa-jarpa-sobre-violencia-y-resistencia/748704-1-esl-AR/SINDEMIA-PROYECTO-DE-VOLUSPA-JARPA-SOBRE-VIOLENCIA-Y-RESISTENCIA_grid_horizontal.jpg)
SYNDEMIA - VOLUSPA JARPA’S PROJECT ON VIOLENCE AND RESISTANCE
Voluspa Jarpa’s Syndemic is the winner of the inaugural edition of the Julius Baer Art Prize for Latin American Female Artists, a new biennial award initiated by Julius Baer and The Museum of Modern Art of Bogotá – MAMBO. It is the first of its kind to be held in Latin America, and its mission is to honor the research of outstanding Latin American female artists. Syndemic is a site-specific multimedia project that involves photos, archival documents, videos, maps, sculptures, objects, installation, wallpapers, and lasers that project beyond the Museum’s physical space into the surrounding environment. The term “Syndemic”, from the medical field, is Voluspa Jarpa’s metaphor to analyze the violent social riots that occurred from October 2019 to March 2020 in Chile.
![“OSCAR MUÑOZ: INVISIBILIA” EXPLORES SOCIAL AMNESIA AT THE PHOENIX ART MUSEUM “OSCAR MUÑOZ: INVISIBILIA” EXPLORES SOCIAL AMNESIA AT THE PHOENIX ART MUSEUM](/var/artealdia_com/storage/images/noticias/oscar-munoz-invisibilia-explora-la-amnesia-social-en-el-phoenix-art-museum/747946-1-esl-AR/OSCAR-MUNOZ-INVISIBILIA-EXPLORA-LA-AMNESIA-SOCIAL-EN-EL-PHOENIX-ART-MUSEUM_grid_horizontal.jpg)
“OSCAR MUÑOZ: INVISIBILIA” EXPLORES SOCIAL AMNESIA AT THE PHOENIX ART MUSEUM
This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.
![KIMSOOJA AND BIENALSUR: THE NOMAD EXPERIENCE OF THREE EXHIBITIONS KIMSOOJA AND BIENALSUR: THE NOMAD EXPERIENCE OF THREE EXHIBITIONS](/var/artealdia_com/storage/images/bienalsur/kimsooja-y-bienalsur-la-experiencia-nomade-de-tres-exhibiciones/747856-1-esl-AR/KIMSOOJA-Y-BIENALSUR-LA-EXPERIENCIA-NOMADE-DE-TRES-EXHIBICIONES_grid_horizontal.jpg)
KIMSOOJA AND BIENALSUR: THE NOMAD EXPERIENCE OF THREE EXHIBITIONS
The acclaimed Korean artist Kimsooja will inaugurate on Wednesday September 22nd the last part of her trilogy of simultaneous exhibitions through which she landed in Buenos Aires. Chapter 3: Kimsooja. An inner experience arrives at the Korean Cultural Center in the Argentine capital as a part of Bienalsur 2021, the biennial that emerged at the Universidad Nacional de Tres de Febrero and that now takes place simultaneously in more than 124 venues, 23 countries and 50 cities around the world, with the participation of about 400 artists.
![THE MUSEU DE ARTE DE SÃO PAULO EXHIBITS GETRUDES ALTSCHUL: FILIGREE THE MUSEU DE ARTE DE SÃO PAULO EXHIBITS GETRUDES ALTSCHUL: FILIGREE](/var/artealdia_com/storage/images/noticias/el-museu-de-arte-de-sao-paulo-exhibe-getrudes-altschul-filigrana/747800-1-esl-AR/EL-MUSEU-DE-ARTE-DE-SAO-PAULO-EXHIBE-GETRUDES-ALTSCHUL-FILIGRANA_grid_horizontal.jpg)
THE MUSEU DE ARTE DE SÃO PAULO EXHIBITS GETRUDES ALTSCHUL: FILIGREE
Gertrudes Altschul (1904–1962) was a pioneering figure in Brazilian modernist photography. Despite being acknowledged in the field in Brazil, her work is known only in specialized circles, having been scantly published and exhibited—something that this exhibition, the first in a museum, and its publication intend to rectify.
![“OLGA DE AMARAL: TO WEAVE A ROCK” AT THE HOUSTON MUSEUM “OLGA DE AMARAL: TO WEAVE A ROCK” AT THE HOUSTON MUSEUM](/var/artealdia_com/storage/images/noticias/olga-de-amaral-tejer-una-roca-en-el-museo-de-houston/747433-1-esl-AR/OLGA-DE-AMARAL-TEJER-UNA-ROCA-EN-EL-MUSEO-DE-HOUSTON_grid_horizontal.jpg)
“OLGA DE AMARAL: TO WEAVE A ROCK” AT THE HOUSTON MUSEUM
Olga de Amaral has pioneered her own visual language within the fiber arts movement. Her radical experimentation with color, form, material, composition, and space transforms weaving from a flat design element into an architectural component that defies the confines of any genre or medium.
![BROOKLYN MUSEUM EXHIBITS CHRISTIAN DIOR: DESIGNER OF DREAMS BROOKLYN MUSEUM EXHIBITS CHRISTIAN DIOR: DESIGNER OF DREAMS](/var/artealdia_com/storage/images/noticias/museo-de-brooklyn-exhibe-christian-dior-disenador-de-suenos/747275-1-esl-AR/MUSEO-DE-BROOKLYN-EXHIBE-CHRISTIAN-DIOR-DISENADOR-DE-SUENOS_grid_horizontal.jpg)
BROOKLYN MUSEUM EXHIBITS CHRISTIAN DIOR: DESIGNER OF DREAMS
The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.
![PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI](/var/artealdia_com/storage/images/noticias/produccion-reproduccion-exhibicion-individual-de-sandra-gamarra-en-el-mali/746922-1-esl-AR/PRODUCCION-REPRODUCCION-EXHIBICION-INDIVIDUAL-DE-SANDRA-GAMARRA-EN-EL-MALI_grid_horizontal.jpg)
PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI
The Museum of Art of Lima - MALI presents this exhibition of the outstanding Peruvian artist curated by the historian and art critic Luis Eduardo Wuffarden. Based on the so-called mixed race paintings commissioned by Viceroy Manuel de Amat y Junyent and sent to the King of Spain Carlos III in 1770, Sandra Gamarra commissioned their reproduction to a copyists' workshop in China. On these she added quotes from different contemporary feminist thinkers. In response to the absence of original works in Peru, this series, made up of twenty paintings, has been donated by LiMac to the MALI collection of contemporary art.
![MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards](/var/artealdia_com/storage/images/noticias/magdalena-fernandez-ganadora-del-premio-internacional-codaawards/746749-1-esl-AR/MAGDALENA-FERNANDEZ-GANADORA-DEL-PREMIO-INTERNACIONAL-CODAawards_grid_horizontal.jpg)
MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards
When artists, designers, industry resources, and clients work together, common places are transformed into spectacular spaces. CODAworx, the hub of the commissioned art economy, has announced the winners of the ninth annual international CODAawards: Collaboration of Design + Art. The CODAawards recognize collaborations that result in outstanding projects which successfully integrate commissioned art into interior, architectural, or public spaces.
![“EL ATAJO”. A DISPLACEMENT IN THE AUTHOR “EL ATAJO”. A DISPLACEMENT IN THE AUTHOR](/var/artealdia_com/storage/images/resenas/el-atajo.-un-desplazamiento-en-el-autor/746550-1-esl-AR/EL-ATAJO.-UN-DESPLAZAMIENTO-EN-EL-AUTOR_grid_horizontal.jpg)
“EL ATAJO”. A DISPLACEMENT IN THE AUTHOR
José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.
![MY BODY, MY RULES – LAST DAYS AT THE PÉREZ ART MUSEUM MIAMI MY BODY, MY RULES – LAST DAYS AT THE PÉREZ ART MUSEUM MIAMI](/var/artealdia_com/storage/images/noticias/mi-cuerpo-mis-reglas-ultimos-dias-en-el-perez-art-museum-miami/746492-1-esl-AR/MI-CUERPO-MIS-REGLAS-ULTIMOS-DIAS-EN-EL-PEREZ-ART-MUSEUM-MIAMI_grid_horizontal.jpg)
MY BODY, MY RULES – LAST DAYS AT THE PÉREZ ART MUSEUM MIAMI
The all-female group exhibition examines the mainstream portrayal of women, confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body. Featuring 23 diverse female artists, the works in the show come together to address contemporary discussions on gender, race, body politics, resilience, and self-representation amid today’s social landscape.
!["ALL THE LIGHTHOUSES OF THE PERUVIAN COAST" AT THE LIMA ART MUSEUM "ALL THE LIGHTHOUSES OF THE PERUVIAN COAST" AT THE LIMA ART MUSEUM](/var/artealdia_com/storage/images/noticias/todos-los-faros-de-la-costa-peruana-en-el-museo-de-arte-de-lima/746043-1-esl-AR/TODOS-LOS-FAROS-DE-LA-COSTA-PERUANA-EN-EL-MUSEO-DE-ARTE-DE-LIMA_grid_horizontal.jpg)
"ALL THE LIGHTHOUSES OF THE PERUVIAN COAST" AT THE LIMA ART MUSEUM
The project, by Luz María Bedoya, explores multidisciplinary relationships between navigation, sound and writing. It has a digital platform and a physical installation in MALI.
![ERIKA VERZUTTI: THE INDISCIPLINE OF SCULTURE AT THE MUSEU DE ARTE DE SÃO PAULO ERIKA VERZUTTI: THE INDISCIPLINE OF SCULTURE AT THE MUSEU DE ARTE DE SÃO PAULO](/var/artealdia_com/storage/images/noticias/erika-verzutti-la-indisciplina-de-la-escultura-en-el-museu-de-arte-de-sao-paulo/745978-1-esl-AR/ERIKA-VERZUTTI-LA-INDISCIPLINA-DE-LA-ESCULTURA-EN-EL-MUSEU-DE-ARTE-DE-SAO-PAULO_grid_horizontal.jpg)
ERIKA VERZUTTI: THE INDISCIPLINE OF SCULTURE AT THE MUSEU DE ARTE DE SÃO PAULO
This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.
![THE GLOBAL SOUTH FROM AN AFRICAN PERSPECTIVE – MUSEUM EXHIBITION IN JOHANNESBURG THE GLOBAL SOUTH FROM AN AFRICAN PERSPECTIVE – MUSEUM EXHIBITION IN JOHANNESBURG](/var/artealdia_com/storage/images/noticias/el-sur-global-desde-una-perspectiva-africana-exposicion-de-museo-en-johannesburgo/745086-1-esl-AR/EL-SUR-GLOBAL-DESDE-UNA-PERSPECTIVA-AFRICANA-EXPOSICION-DE-MUSEO-EN-JOHANNESBURGO_grid_horizontal.jpg)
THE GLOBAL SOUTH FROM AN AFRICAN PERSPECTIVE – MUSEUM EXHIBITION IN JOHANNESBURG
The Joburg Contemporary Art Foundation (JCAF) presents the second of three exhibitions that forms part of their research theme Female Identities in the Global South.
![BIENALSUR INAUGURATES ITS CARTOGRAPHY OF EXPANDED ACTIVITIES BIENALSUR INAUGURATES ITS CARTOGRAPHY OF EXPANDED ACTIVITIES](/var/artealdia_com/storage/images/bienalsur/bienalsur-inaugura-su-cartografia-de-actividades-expandidas/744917-6-esl-AR/BIENALSUR-INAUGURA-SU-CARTOGRAFIA-DE-ACTIVIDADES-EXPANDIDAS_grid_horizontal.jpg)
BIENALSUR INAUGURATES ITS CARTOGRAPHY OF EXPANDED ACTIVITIES
The third edition of the Bienal Internacional de Arte Contemporáneo del Sur (BIENALSUR) organized by the National University of Tres de Febrero (UNTREF), an Argentine public university, will take place until December 2021 in more than 120 venues in 50 cities in 23 countries and the Vatican, with the participation of around 400 artists of various nationalities and different backgrounds.
![COLLABORATION BETWEEN THE Ch.ACO FAIR AND THE MUSEUM OF CONTEMPORARY ART COLLABORATION BETWEEN THE Ch.ACO FAIR AND THE MUSEUM OF CONTEMPORARY ART](/var/artealdia_com/storage/images/noticias/colaboracion-entre-la-feria-ch.aco-y-el-museo-de-arte-contemporaneo/744873-1-esl-AR/COLABORACION-ENTRE-LA-FERIA-Ch.ACO-Y-EL-MUSEO-DE-ARTE-CONTEMPORANEO_grid_horizontal.png)
COLLABORATION BETWEEN THE Ch.ACO FAIR AND THE MUSEUM OF CONTEMPORARY ART
This alliance opens the opportunity to promote a collaboration that hopes to be very beneficial for the cultural sector, marked by the beginning of the necessary dialogue to build a new model in market relations, museums and galleries.
![OPEN CALL FOR AN ARTISTIC INTERVENTION AT FRAGMENTOS, A SPACE FOR ART AND MEMORY OPEN CALL FOR AN ARTISTIC INTERVENTION AT FRAGMENTOS, A SPACE FOR ART AND MEMORY](/var/artealdia_com/storage/images/convocatorias/convocatoria-para-una-intervencion-artistica-en-fragmentos-espacio-de-arte-y-memoria/744623-4-esl-AR/CONVOCATORIA-PARA-UNA-INTERVENCION-ARTISTICA-EN-FRAGMENTOS-ESPACIO-DE-ARTE-Y-MEMORIA_grid_horizontal.jpg)
OPEN CALL FOR AN ARTISTIC INTERVENTION AT FRAGMENTOS, A SPACE FOR ART AND MEMORY
Until September 15, the call is open to Colombian or foreign artists with more than 15 years of experience to present an artistic intervention in the Fragmentos space, created by Doris Salcedo. The award consists of one hundred and sixty million Colombian pesos ($160,000,000 m/cte).
![TREES AS A SOURCE OF AESTHETIC INSPIRATION FOR HUMAN SOCIETIES TREES AS A SOURCE OF AESTHETIC INSPIRATION FOR HUMAN SOCIETIES](/var/artealdia_com/storage/images/noticias/arboles-como-fuente-de-inspiracion-estetica-para-las-sociedades-humanas/744567-1-esl-AR/ARBOLES-COMO-FUENTE-DE-INSPIRACION-ESTETICA-PARA-LAS-SOCIEDADES-HUMANAS_grid_horizontal.jpg)
TREES AS A SOURCE OF AESTHETIC INSPIRATION FOR HUMAN SOCIETIES
Power Station of Art (Shanghai) and the Fondation Cartier pour l’art contemporain (Paris) present the exhibition Trees. With more than 200 artworks from over 30 artists from China, Latin America, India, Iran and Europe, the exhibition celebrates trees and their influence on contemporary art.
![MAMBO EXHIBITS “I DREAMT THE LANDSCAPE WAS LOOKING AT ME” MAMBO EXHIBITS “I DREAMT THE LANDSCAPE WAS LOOKING AT ME”](/var/artealdia_com/storage/images/noticias/el-mambo-exhibe-sone-que-el-paisaje-me-miraba/744235-1-esl-AR/EL-MAMBO-EXHIBE-SONE-QUE-EL-PAISAJE-ME-MIRABA_grid_horizontal.jpg)
MAMBO EXHIBITS “I DREAMT THE LANDSCAPE WAS LOOKING AT ME”
The Museum of Modern Art Bogota presents I dreamt the landscape was looking at me, by Jessica Mitrani in in collaboration with Alex Czetwertynski. It is optical device that invites the viewer on a hypnotic journey suspended between reality and fiction, personal and public, resulting in a spontaneous and non-linear narrative.
![SOMXS PODEMX - VIDEO PERFORMANCE BY PONCILÍ CREACIÓN FOR EL MUSEO DEL BARRIO SOMXS PODEMX - VIDEO PERFORMANCE BY PONCILÍ CREACIÓN FOR EL MUSEO DEL BARRIO](/var/artealdia_com/storage/images/noticias/somxs-podemx-video-performance-de-poncili-creacion-para-el-museo-del-barrio/744006-1-esl-AR/SOMXS-PODEMX-VIDEO-PERFORMANCE-DE-PONCILI-CREACION-PARA-EL-MUSEO-DEL-BARRIO_grid_horizontal.jpg)
SOMXS PODEMX - VIDEO PERFORMANCE BY PONCILÍ CREACIÓN FOR EL MUSEO DEL BARRIO
Known for their fantastical and improvisational approach to puppetry, Poncilí Creación is an art collective composed of identical twin brothers Pablo and Efrain Del Hierro who describe their practice as “speculative alchemy.” For their newly commissioned performance Somxs Podemx, the group takes to the streets for a durational progression across the neighborhoods of San Juan, the duo’s hometown and where they have been in quarantine during the global pandemic.
![THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY](/var/artealdia_com/storage/images/noticias/rose-art-museum-repiensa-su-aproximacion-a-la-historia-del-arte-moderno/743787-4-esl-AR/ROSE-ART-MUSEUM-REPIENSA-SU-APROXIMACION-A-LA-HISTORIA-DEL-ARTE-MODERNO_grid_horizontal.jpg)
THE ROSE ART MUSEUM RETHINKS ITS APPROACH TO MODERN ART HISTORY
Organized in celebration of the Rose’s 60th anniversary, the exhibition re: collections, Six Decades at the Rose Art Museum highlights the Rose’s radical roots while showcasing the potential for future transformations. Following the example of artists featured in the exhibition, re: collections challenges art historical conventions and cultural hierarchies by charting alternative genealogies that link artworks drawn from the museum’s stellar permanent collection.
![ELVIRA DYANGANI OSE, NEW DIRECTOR OF THE MUSEU D’ART CONTEMPORANI DE BARCELONA ELVIRA DYANGANI OSE, NEW DIRECTOR OF THE MUSEU D’ART CONTEMPORANI DE BARCELONA](/var/artealdia_com/storage/images/noticias/elvira-dyangani-ose-nueva-directora-del-museu-d-art-contemporani-de-barcelona/743759-1-esl-AR/ELVIRA-DYANGANI-OSE-NUEVA-DIRECTORA-DEL-MUSEU-D-ART-CONTEMPORANI-DE-BARCELONA_grid_horizontal.jpg)
ELVIRA DYANGANI OSE, NEW DIRECTOR OF THE MUSEU D’ART CONTEMPORANI DE BARCELONA
The General Council of the MACBA Consortium has appointed her as the new director, valuing her contribution of “an innovative look at the role of the museum on the local and international scene, also incorporating a clear desire to connect with contemporary debates on the role of art in this beginning of the century, without avoiding a clear commitment to the social problems that surround cultural institutions”.
![CECILIA BENGOLEA EXHIBITS “ANIMATIONS IN WATER” AT GUGGENHEIM BILBAO CECILIA BENGOLEA EXHIBITS “ANIMATIONS IN WATER” AT GUGGENHEIM BILBAO](/var/artealdia_com/storage/images/noticias/cecilia-bengolea-exhibe-animaciones-de-agua-en-el-guggenheim-de-bilbao/743489-1-esl-AR/CECILIA-BENGOLEA-EXHIBE-ANIMACIONES-DE-AGUA-EN-EL-GUGGENHEIM-DE-BILBAO_grid_horizontal.jpg)
CECILIA BENGOLEA EXHIBITS “ANIMATIONS IN WATER” AT GUGGENHEIM BILBAO
Three recent works by Cecilia Bengolea (b. 1979, Buenos Aires) are featured. She is a multidisciplinary artist whose practice merges video, choreography, and sculpture. Following the thread of water and movement flows, this exhibition presents a selection of works where the artist’s reflection on dance, the sensorial interplay between the body’s interiority and its surroundings, as well as the rhythmical relations of social communities and nature, symptomatically manifest through the choreographic language.
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LUCRECIA PALACIOS NEW EXECUTIVE DIRECTOR OF THE arteBA FOUNDATION
The Argentine curator, with experience in renowned museums such as the Moderno in Buenos Aires and Malba, joins the arteBA team.