Notes related to Fotografía

Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.

“Moving with great fluidity between spirituality, the production of visuality, academic reflection and political action, Heráclito is explicit when he says that he wants to ‘act, in a symbolic way, on the devastating consequences of racism and social inequality that affect the black populations'." In this way, the curator and researcher Solange Farkas (Videobrasil and ex-MAM Bahía) summarizes the approach to the production of Ayrson Heráclito, a Bahian artist who won a retrospective at the MAR (Museu de Arte do Rio) and who had an important recent solo show at the Simões de Assis Gallery, in São Paulo.

In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

Zurich, the No. 1 insurance company in Argentina, accompanied BAphoto with 2 special proposals for its 2021 edition, held between October 13 and 17 at Casa Basavilbaso in-person and with a virtual program.

BAphoto premiered the in-person season in Buenos Aires with its seventeenth edition and celebrated with a fantastic meeting. Artists, gallery owners, curators, collectors and photography lovers came together to exhibit and enjoy the best of photography. The fair featured the outstanding work of curators Francisco Medail, Bárbara Golubicki, Irene Gelfman, Florencia Battiti, Rodrigo Alonso, Verónica Santalla and Celina Marco.

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

In this long-awaited edition, the outstanding photographer in Artista Homenaje is Lucrecia Plat from Argentina. Curated by Francisco Medail, the exhibition covers a large part of Plat's production in her forty years of work, among which the series of intimate portraits of Alejandra Pizarnik and the nocturnal records of the Buenos Aires elite stand out.

In her first solo exhibition at the Deering Estate, Amalia Caputo considers how we construct nature and explore a site around systems of visual classification. Every Being is an Island is an immersive exhibition that serves as an extensive portrait of the native subtropical environment of South Florida.

For the first time in its history, the longest running Latin American photography fair that can be visited from October 13 to 17, combines its classic in-person edition with a special online program where national and international art coexist. Located at Casa Basavilbaso, the long-awaited reunion will be complemented by an online program that includes Live Talks, Open Files and guided tours.

In the weeks leading up to the fair and as part of the Media Point 2021 space, an Education Cycle in Contemporary Photography will be scheduled that will consist of three masterclasses led by renowned professionals in the photographic field. With the support of Zurich, BAphoto invites the public to approach photography from different perspectives. Each segment lasts 1 hour and a half, and is accesible via Zoom with prior registration.

This is the first mid-career survey of Colombian artist Oscar Muñoz’s work in the United States. Although he has had large-scale retrospectives throughout Europe and Latin America, this exhibition will introduce U.S. audiences to a broad scope of his evolving practice.

Gertrudes Altschul (1904–1962) was a pioneering figure in Brazilian modernist photography. Despite being acknowledged in the field in Brazil, her work is known only in specialized circles, having been scantly published and exhibited—something that this exhibition, the first in a museum, and its publication intend to rectify.

In the framework of the 109th edition of the National Visual Arts Salon 2020-2021 Argentina, Viviana Zargón won the first non-acquisition prize for the best work in the Photography category with her artwork Objetos memorables, exhibited in one of the two venues that house the set of 266 selected works during the event, and that will remain open to the public until October 31.

Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.

ArtMedia Gallery, Miami

From October 13 to 17, at the Casa Basavilbaso palace in the City of Buenos Aires, BAphoto will celebrate its seventeenth edition. In a hybrid format, BAphoto will take place in person and accompanied by a virtual program.

The 322 pieces that make up Espíritos sem nome (Nameless Spirits), a retrospective dedicated to the production of the Bahian Mario Cravo Neto (1947-2009) at the São Paulo headquarters of the Moreira Salles Institute, attest to his vigor as a visual artist; With the robustness of his work, he permeates media beyond photography, since he produces pieces in languages ​​such as cinema, the three-dimensional, drawing and publishing, among others.

The Board of Trustees of the International Center of Photography (ICP) in New York announced today the selection of David E. Little as its new executive director, following an international search. Little will join ICP in mid-September 2021, after six years as director and chief curator of the Mead Art Museum at Amherst College, and will succeed Mark Lubell, who announced his decision to depart ICP in March 2021.

The Ecuadorian gallery/workshop + ARTE exhibits photography by Raúl Borja Arboleda in The Hill

A conscious capture, which thinks of itself, and freezes in order to account for temporal movement.

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

This group show at the Buenos Aires gallery offers a multiple panorama of the urban experience. With the city as the protagonist, the works evoke the different relationships that can be found between the individual and its built environment.

The world famous photography art fair announces the participation of 177 exhibitors from 25 countries for its 24th edition at the Grand Palais Ephémère in Paris. Alongside the usual Main Sector, Paris Photo presents Curiosa, dedicated to emerging creation, and Elles x Paris Photo, focused on the visibility of women photographers.

Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.

American artist Deana Lawson produces portraits of contemporary Black life that are meticulously staged yet profoundly intimate. Deana Lawson’s solo exhibition at the Kunsthalle Basel (Basel, Switzerland) takes place as one of the international collaborations of the 34th Bienal de São Paulo's - Faz escuro mas eu canto (Though it’s dark, still I sing)

Guest Curator Elvira Dyangani Ose, Director of The Showroom (London), presents the project ‘Contra la raza’ [Against Race] at Matadero Madrid within the framework of PHotoESPAÑA 2021. This multidisciplinary initiative incorporates a video-based installation and live programme focusing on futuristic imaginaries expressed through poetics of the Black experience that generate new forms of global and egalitarian humanism.

With this program, Penumbra Foundation supports outstanding emerging artists working in the photographic arts. Six artists and photographers based in the United States were selected from a variety of backgrounds and cultural contexts.  

Collaborating to energize the local market, the galleries + Arte and Talō (both Ecuadorian) present parte de mí / aparte de mí (part of me / apart from me) by the artists Karen Miranda Rivadeneira and Misha Vallejo Prut. Exhibited at Talō and curated by Gabriela Moyano (+ Arte), the show will be open until July 26.

The works presented make use of and reference to the image as a channel, as a concept, as a medium. Migrating from one ontological level to another, Candeo highlights the way in which the contemporary world is built from immediate registers, multiple narratives, and memory models.