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More than four hundred works exhibited in the two venues give an account of the wide production of Argentine art in the last century.

La Austral, S.A. de C.V. is a socially engaged offsite project by Pablo Helguera that transforms El Museo de Los Sures into a “storytelling dispensary,” a place where visitors can hear a range of live stories performed by a facilitator.

Artists Coco Fusco, Gean Moreno and journalist Arlena Amaro, were deported.

arteBA Foundation announced at the MALBA the launch of the 27th edition of arteBA, with new proposals from curators and sections such as Stage, arteBA Children and Zoom.

Kurimanzutto presents ‘screening - Jimmie Durham: not about me’ a project by Cristian Manzutto on 11-13 and 17-20 may, 2018

"I'm looking for innovation, a new language" comments Catalina Casas, director of the Colombian gallery Casas Riegner in an interview with Arte Basel to its new project Meet the Gallerists”

Pancha, the Colorful Bird and the Shining is the first solo exhibition by Mexican artist Jorge Satorre (Mexico City, 1979) at REDAC, in the United States.  The commissioned installation by Satorre consists of a series of sculptures and drawings that collectively portray alternative and subjective historic narratives, developed by the artist in contrast to standard, institutional versions of events and hegemonic discourse.

In response to the curatorial proposal for the Venice Architecture Biennale 2018, whose theme for this edition is FREESPACE, Brazil’s official participation in Venice has been named Walls of Air.

The Mexican artist Teresa Margolles presents her new work in Witte de With Center of Contemporary Art, which consists of a performance on the migratory processes between Venezuela and Colombia based on the field work carried out in 2017.

Pacific Standard Time: LA/LA was a collaborative initiative led by the Getty that explored Latin American and Latino art over a four-month period from September 2017 through January 2018. Through Julia P. Herzberg, Arte al Día presented each of its proposals and exhibitions from the beginning. Now we shared a report by Los Angeles County Economic Development Corporation, that shows initiative also supported 4,080 jobs and added $24.3 million in tax revenues for state and local government

Curated by Jane de Almeida, the exhibition showcases artworks of ten artists as a starting point for an investigation process on the subject of organizational systems off the RADAR, understood in a broad sense.

In the year dedicated to Afro-Atlantic histories  Museu de Arte de de São Paulo  presents the exhibition Daily Life, Painting and Resistance By Maria Auxiliadora (1935–1974).

Alphaville e outros by the artist Antoni Muntadas (Barcelona, ​​1942), is the seventh installment of the new cycle 'Machines of vision', from the magazine Campo de Relampagos focused on presenting pieces that unveil the narrative devices of cinema and that establish relationships parental with other authors and languages.

Irene Kopelman announces her solo show at Witte de With Center for Contemporary Art in Roterdam, Netherlands. The exhibition brings together pieces from different projects: large scale paintings, drawin, watercolors ans sculptures; created between 1012 and 1016.

Signo 36 is a concept of publication that germinates in the dark caused by that lost number of the magazine Signs that edited and directed, between 1969 and 1985, the Cuban poet, artist, publisher and folklorist Samuel Feijóo. Signs 36 is a project by Ernesto Oroza. Volume # 00 was edited by Ernesto Oroza and Clara Astiasarán.

On Saturday, May 5, the first Gallery Day of the year arrives, with the support of the City Government. The circuit that begins the cycle 2018 includes the neighborhoods of Palermo and Villa Crespo and will have the participation of 21 galleries, workshops and art spaces will open their doors from 3 pm to 7 pm so you can visit them and live a different afternoon.

Aceros al Infinito is the international traveling exhibition of the Colombian sculptor Santiago Medina that will be installed in Medellín and Bogotá this month. From April 12, CES University will host the first stop of the international exhibition of monumental stainless steel sculptures which will then travel to New York, Miami, Los Angeles and London.

Van Riel gallery presents 'Smoke on Vanguards' the next solo exhibition by the Argentine artist Pablo Lapadula, a set of paintings and drawings made by capturing on paper smoke from a domesticated candle.

This exhibition, curated by María Inés Rodríguez and co-organised with the CAPC musée d'art contemporain de Bordeaux and the KW Institute for Contemporary Art, Berlin, presents a selection of works which number around 150 and capture the sixty odd years of the artist’s career.

How to Biennale! invites participation from anyone engaged in organising art events to join an open forum of ideas at Tate Exchange (Tate Modern). On May 9, 2018, 12pm

Faena Art is pleased to announce Tamar Guimarães and Kasper Akhøj (Guimarães b. 1967, Belo Horizonte, Brazil; and Akhøj b. 1976, Copenhagen, Denmark) as the winners of the 2018 Faena Prize for the Arts. Special mention awards were given to Vivian Caccuri (Brazil) and Ishmael Randall Weeks (Peru).

Alexander and Bonin announces the opening of a solo exhibition of Eugenio Dittborn’s eight most recent Airmail Paintings on Saturday, May 5, 2018.

Jesús Fuenmayor, the curator of the XIV edition of the Biennial of Cuenca, selected thirteen national artists whose workshops he visited in Cuenca, Guayaquil and Quito, which add to the forty international artists invited directly by the curator.

Two years after their iconic Bésame Mucho installation at Coachella, R & R Studios returns to Coachella Music and Arts Festival, Indio, Caflifornia, with  40 feet tall Supernova to continue their artistic journey, creating “imaginary solutions” for a better world.

The 2018 Y.ES Grant for Art Writers is officially open. This year, Y.ES Contemporary and Arte Al Día partner to promote critical writing about contemporary art from and in El Salvador and invite all interested writers from around the globe to apply.

The Cabinet program is carried out in the showcase of the FLORA building, visible from the street. The name refers to the cabinets of curiosities, exhibition spaces predecessors of the museum that emerged in Europe during the Renaissance and were very popular in the seventeenth century.

Prior to its opening in the MMAP, William Cordoba with Leslie Hewitt, and curator Maria Elena Ortiz will sit down and chat about the various intersecting narratives cordova’s work is informed by from architecture, to cinema, literature, and music. 

Artistic director Cecilia Alemani shares highlights of ‘Hopscotch’, her citywide exhibition, part of the 2018 Art Basel Cities Week in Buenos Aires

FLORA ars+natura open its call to attend the Seminar with the independent curator based in Bogotá, Jennifer Burris.

SOMA opens the call for its Educational Program 2018-2020 aimed at young artists interested in interacting with their peers to discuss and reflect horizontally on different aspects of art production.