Notes related to Museos

NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.

Museo Universitario Arte Contemporáneo (MUAC) presents Coordenadas claras para nuestra confusión (Clear coordinates for our confusion), by artist Julieta Aranda. This exhibition proposes to review the artist's production of the last decades from the perspective of her collaboration with time, understood not only as an object of research but also as an autonomous and active interlocutor. It is curated by Alejandra Labastida.

Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.

Shifting Landscapes is a group exhibition at the Whitney Museum that explores how constantly evolving political, ecological, and social landscapes inspire artists and their interpretations of the world around them.

Santa Barbara Museum of Art presents the exhibition Accretion: Works by Latin American Women, with works from artists from the United States but with roots in Argentina, Colombia, Costa Rica, Cuba, Guatemala, Mexico and Peru.

The Museum of Modern Art of São Paulo presents the 38th Panorama of Brazilian Art: Mil Graus [A thousand degrees], an exhibition curated by Germano Dushá and Thiago de Paula Souza, and co-curated by Ariana Nuala, whose title evokes the idea of a “heat-limit,” where everything is transformed, referring to the intense climatic and metaphysical conditions that challenge and lead to inevitable processes of transmutation. In this edition, the MAM biennial exhibition presents 34 artists from 16 Brazilian states.

Siluetas sobre maleza [Silhouettes on grass] is a group exhibition at Museo Jumex that explores the ways in which bodies exist and inhabit territory. Spanning several generations, the exhibition features artists who explore the intertwined associations of body, land and identity in Latin America's history and present: Minia Biabiany (Guadalupe, 1988), Vivian Caccuri (Brazil, 1986), Frieda Toranzo Jaeger (Mexico, 1988), Ana Mendieta (Cuba, 1948 - USA, 1985), Nohemí Pérez (Colombia, 1962) and Vivian Suter (Argentina, 1949).

“I imagine the museum as an archipelago. It is not a continent, but an archipelago (...) The idea today is to put the world in contact with the world, to put some parts of the world in contact with other parts of the world... We must multiply the number of worlds inside museums”. Édouard Glissant (Sainte-Marie, Martinique, 1929-Paris, France, 2011) expressed his vision of museum functionality in this metaphorical way in his work Poetics of Relationship (1990).

The Lima Museum of Art (MALI) announced the thirty-second edition of its annual auction, dedicated in this occasion to textile art, a heritage that played a fundamental role in Peru's cultural history. The event will take place on October 19 at the museum and will feature a selection of more than 70 pieces of art, from historic textiles to contemporary works.

The Brooklyn Museum announced the selection of more than two hundred artists for The Brooklyn Artists Exhibition, which will open on the occasion of the Museum’s 200th anniversary. This extensive group show highlights the remarkable creativity and diversity of Brooklyn’s artistic communities. Reflecting on a rich history of fostering creativity and championing artists of all backgrounds, the Museum’s bicentennial is an opportunity to honor the borough’s artistic heritage while looking towards the future.

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

El Museo de Arte de São Paulo (MASP) presenta la exposición Leonilson: Ahora y Oportunidades, dedicada al artista, que fue figura clave en la escena brasileña de finales del siglo XX. La muestra abarca sus últimos años creativos, donde explora temas de amor, pérdida y la fragilidad humana con una voz íntima y única.

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

Lucio Fontana made one of the most extraordinary and radical gestures of modern art in 1958 when he cut the surface of a monochromatic canvas with a razor blade. The exhibition “Il y a eu un futur- Un Futuro c'é stato” at the Musée Soulage, Rodez, revisits the legacy of this artist and offers a survey of his entire oeuvre, before and after the war, in Argentina and Italy.

The Malba museum in Buenos Aires, Argentina expands with the construction of Malba Puertos, a new exhibition space in Escobar, province of Buenos Aires. It opens on September 21 and seeks -through activities and exhibitions- to bring art closer to the community.

A man is waiting. In elegant clothes, the figure is placed in the center of what looks like a hotel bar. He plays the lead role on a sort of stage, an interior that is something of a cage, something of a scenic locus, as if a possible flirtation or a desired encounter would provide some catalysis of emergence, a quick enjoyment, an intense release, however short and finite, perhaps dismantling a routine of limits. Man in Blue (1954) works as a synthesis of the not so extensive but very significant gathering of the celebrated Francis Bacon (1909-1992) in A Beleza da Carne (The Beauty of Meat), at Masp (São Paulo Museum of Art). The exhibition is curated by Adriano Pedrosa, artistic director of the institution and curator of the current edition of the Venice Biennale, the 60th, on show until November in the Italian city, and co-curated by Laura Cosendey.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

On the occasion of the 100th anniversary of Ellsworth Kelly's birth, the Fondation Louis Vuitton pays tribute to the artist with the exhibition “Ellsworth Kelly Formes et Couleurs, 1949-2015”; the first exhibition in France to address in such a broad way the work of this essential creator of the second half of the 20th century, both for its chronology and for the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, it brings together more than a hundred works, covering a wide range of media used by the artist, from painting to sculpture, works on paper, collage and photography presented on the main and first floors of the Foundation.

The birth of a new collective is always good news, and it is so for several reasons. Firstly, because of the existence of collective dynamics that bring together different points of view and, second, because, in a didactic way, it contributes to illustrate and understand the current cartographies of art. For the Revolú collective, formed by Andrés Meléndez (San Juan, Puerto Rico, 1996), Miguel Ángel Feba (San Juan, Puerto Rico, 1994) and Marcos Daniel Vicéns (Bayamón, Puerto Rico, 1996), their first exhibition experience is the result of an artistic residency in which, almost blindly, they have been able to build those specific ties to start from the individual and reach the group identity.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.