Notes related to Argentina

PAC, the educational platform of the Gachi Prieto Gallery in Buenos Aires, opens the inscriptions for three programs that seek to professionalize contemporary artists and curators; through a collaborative and reflexive learning approach, the aim is to promote the construction of affective and professional networks.

In its 14th anniversary, Leila Tschopp is the winning artist of the 2024 EFG Latin America Art Award in partnership with ArtNexus. The announcement was made at Pinta Miami.

The São Paulo Museum of Art (MASP) presents the exhibition Serigrafistas Queer: Liberdade para as sensibilidades (Freedom for sensibilities) from December 13 to March 16, 2025. It addresses themes such as the struggle for reproductive rights, bodily autonomy, the political approach to the HIV crisis, and the celebration of diverse affections and identities.

The Departamento 112 gallery -located in Martinez, province of Buenos Aires, Argentina- began by occupying an apartment, then became a garage and finally settled in a disused space that, converted into a hall, provides a view over the entire block.

Contemplando es como fuimos cambiando (Contemplating is how we changed) is the exhibition, the first one in Spain promoted by an institution, that the CICC Tabakalera in San Sebastian is dedicating to Gabriel Chaile (San Miguel de Tucumán, Argentina, 1985), one of the most prominent names in contemporary Latin American sculpture. This proposal is intended to take an extensive look at his work, from his beginnings to his latest works produced in Lisbon, and which is recognizable by his monumental adobe, clay and metal pieces that reflect the morphology of the pre-Columbian ceramics of his native region.

Georgina Valdez is the founder and director of the Argentine gallery The White Lodge, with locations in Córdoba and Buenos Aires. The space is part of the NEXT section of Pinta Miami 2024, with works by artists Sandro Pereira and Nushi Muntaabski. In an interview with Arte al Día, the gallerist reflected on the role of art as an engine of transformation and the place of The White Lodge in the contemporary art scene.

Arte al Día takes a look at the curatorial selection that highlights works by Ibero-American galleries in the NEXT, RADAR and Main sections of Pinta Miami. The curatorial team for the 2024 edition of the fair is integrated by Irene Gelfman -global curator of Pinta and co-curator of FORO and Special Project-, Giuliana Vidarte -curator of NEXT and co-curator of FORO and Special Project- and Angelica Arbelaez -curator of RADAR.

Pinta Miami brings together artists who explore the identity, memory and cultural diversity of Ibero-America. In this 2024 edition, several proposals seek to redefine the Latinx notion from unique and transformative perspectives.

Malba announced that Rodrigo Moura (Belo Horizonte, Minas Gerais, Brazil, 1975) will be the museum's new artistic director. With a solid background in important cultural institutions and an internationally renowned Latin American curator, Moura will be responsible for giving the museum visibility and presence on a global level, broadening the understanding and scope of the Collection and developing the program of temporary exhibitions at Malba and Malba Puertos.

The Museo de Arte Moderno de Buenos Aires presents two exhibitions: the first show in Argentina by US artist Onome Ekeh Especulaciones (Speculations); and El ritmo es el mejor orden (Rhythm is the best order), which brings together a group of recent drawings by Argentine artist Sofía Bohtlingk.

On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.

Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.

The Copenhagen Planetarium opens a permanent installation by Tomás Saraceno, Cosmic Threads, where the public is invited to reflect on the enigmas of the universe and human responsibility for the future of the planet.

Pinta BAphoto closed its 20th anniversary at La Rural, Buenos Aires, Argentina, after a weekend that brought together the best of photography in the region and was a meeting point for gallery owners, artists, curators, collectors and photography lovers. The fair attracted more than 14,000 visitors during its three days open to the public.

Confines of Paraguay is the initiative of Fernando Allen and Fredi Casco that is part of the Main Section of Pinta BAphoto. It is a project that began with a photographic approach, but expanded into an editorial, audiovisual and documentary archive -along with other activities- related to the works of popular and indigenous artists from Paraguay.

The Tribute Artist section of Pinta BAphoto celebrates a decade exhibiting the trajectory of photographers who had an active participation in the field, seeking to recover and value their figure. This edition, curator Francisco Medail presents Jaime Bolotinsky, a Russian-born photographer based in Buenos Aires who was a pioneer when it came to composing his portraits, using everyday elements and a precise handling of light.

Pinta BAphoto celebrates its twentieth edition at La Rural, consolidating itself as one of the most important fairs dedicated to photography in Latin America. This annual event brings together galleries, artists and collectors, and throughout its two decades, it has been an essential platform for the development and dissemination of photographic art, both locally and internationally.

The region's most important photography fair Pinta BAphoto opens its doors October 24-27, 2024, at La Rural, Buenos Aires, Argentina. A celebration of the fair's twentieth anniversary with curatorial projects, spaces for artistic exploration, debates among experts and proposals from artists that cross photography with other disciplines.

Cecilia Lenardón's Special Project at Pinta BAphoto, curated by Irene Gelfman, presents an installation that pushes the representation of the body through photography to the limit, transforming the static image into a living and performative experience. Entitled Cuatro piezas clave (Four Key Pieces), the work invites us to reflect on the body's boundaries and its capacity to tolerate effort and repetition.

Lorenzo González Baltazar will be part of the NEXT | Out of Focus section with Primor Gallery, in the 20th edition of Pinta BAphoto. He presents his project Sapucay Marica, with photographs that capture the coexistence of the rural and the queer, performance and tradition, the intimate and the collective.

The eighth edition of Video Project, curated by Irene Gelfman, invites us to immerse in the concept of territory through the moving image. In video art we find a sense of curiosity and exploration that challenges our ideas of materiality and expands to embrace the most intimate. In six selected works, the notion of territory addresses bodies, landscapes and symbols, questioning the stability of physical and conceptual limits. The territory becomes a fluctuating space, as critical as the viewer's place.

Pinta BAphoto –the most important photography fair in the region– presents as a new feature the RADAR section, curated by Sebastián Vidal Mackinson. In an interview with Arte al Día, Sebastián reflects on the diversity of approaches in photography today and its growth as a medium capable of dialoguing with other forms of artistic expression.

The Argentine artist Guillermo Kuitca was commissioned to create a site-specific work in the chapel of the Hôtel Salé, home of the Musée national Picasso-Paris. The final commission, whose canvas is the walls of the chapel, can now be visited.

The famous Argentinean artist Leandro Erlich (b. 1973) transforms Kunstmuseum Wolfsburg’s exhibition hall into a fantastically surreal cosmos, playing with the notions of perspective and gravity. His installations seem to suspend the laws of physics, opening up new perspectives on the multiple connections between science, technology, space travel, and migration. Weightless, the artist's first solo exhibition in Germany, was conceived specifically for the Kunstmuseum Wolfsburg, as were most of the works on view.

The Museo Moderno announced that La Menesunda, the legendary work by Marta Minujín and Rubén Santantonín –a work originally created in 1965, reconstructed by the Museo de Arte Moderno de Buenos Aires and inaugurated in 2015 and later in 2019 at the New Museum in New York– is on view for the first time in Europe as part of a tour that will show it in four countries.

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.

Mercedes Azpilicueta (La Plata, Argentina, 1981) lands with her dancing tables at the Centro de Creación Contemporánea de Andalucía (C3A) in an exhibition curated by Verónica Rossi and Jimena Blázquez. A visual and performance artist based in Amsterdam, her artistic practice proposes in her multi-layered works a meeting place between the past and the present through her protagonists and their expressions, some physical -but not corporeal-, such as voices; others, material, such as forms and texts; and others of a more intangible nature such as memory and remembrance.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.